Reseña del editor
The self as a subject is one of the most fascinating and fruitful of artistic enterprises. From the 15th century to today, this collection brings together some of the best examples of self-portraiture to explore the genre's evolution over the centuries as well as the enduring questions of selfhood and self-representation that have besieged human experience for centuries before social media and the selfie.
Is a self-portrait of an artist a medium of reflection? Or is it merely a black void, the "false mirror," as the Surrealist René Magritte entitled his 1928 painting of an eye? How much does it impart about contemporary notions of beauty, power, and status? From Albrecht Dürer to Egon Schiele, Fra Filippo Lippi to Frida Kahlo, this far-reaching collection explores the numerous ways in which artists have taken themselves as subjects, the variety of ingenious methods and perspectives they have used, and the intriguing questions they raise.
About the series
Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art History series features:
approximately 100 color illustrations with explanatory captions
a detailed, illustrated introduction
a selection of the most important works of the epoch, each presented on a two-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist
Biografía del autor
Ernst Rebel se graduó en la Academia de Bellas Artes de Múnich en pintura, diseño gráfico y educación artística en 1976. Posteriormente estudió historia del arte, filosofía y arqueología clásica en la Universidad de Múnich. En 1979 obtuvo su doctorado en historia del arte, escribió su tesis profesoral en 1988 y desde 1992 imparte clases de historia del arte y educación artística en la Universidad de Múnich. Ha escrito numerosas publicaciones sobre la historia del grabado, el arte y la vida de Alberto Durero y otros temas relativos a la teoría y la enseñanza del arte.
