ISBN: 9780525656876
Editorial: Knopf
Autor: Haygood, Wil
Año de edición: 2021
N° Paginas: 464
Tipo de pasta: Pasta dura
Descripción: A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • BOOKLISTS' EDITOR'S CHOICE • ONE OF NPR'S BEST BOOK OF THE YEAR“At once a film book, a history book, and a civil rights book.… Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read.” —ShondalandThis unprecedented history of Black cinema examines 100 years of Black movies—from Gone with the Wind to Blaxploitation films to Black Panther—using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of The Butler and Showdown.Beginning in 1915 with D. W. Griffith's The Birth of a Nation—which glorified the Ku Klux Klan and became Hollywood's first blockbuster—Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, on-screen and behind the scenes.He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X, to the O. J. Simpson trial, to the Black Lives Matter movement. He considers the films themselves—including Imitation of Life, Gone with the Wind, Porgy and Bess, the Blaxploitation films of the seventies, Do The Right Thing, 12 Years a Slave, and Black Panther. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava DuVernay, and Jordan Peele, among many others.An important, timely book, Colorization gives us both an unprecedented history of Black cinema and a groundbreaking perspective on racism in modern America.Review“Haygood…takes on the history of Black cinema in this riveting, ambitious deep dive." --Esquire; The 125 Best Books About Hollywood"For three decades, Wil Haygood, a former staff writer at the Post-Gazette, the Boston Globe and The Washington Post, has been writing the kind of in-depth histories of American culture — popular, legal and personal — that the nation desperately needs. His latest is an instant classic because of the brilliant way he’s able to put different aspects of our conflicted history into dialogue with each other…" --Tony Norman, Pittsburgh Post-Gazette“This is an invaluable national memoir, seen through the ardent research — and lived experience — of the award-winning Black journalist and movie lover Wil Haygood…The white world he has in mind is America, to be exact. And Haygood anchors the opening of his survey in an extended contrast between the life and work of the commandingly influential director D.W. Griffith (whose disquieting 1915 masterpiece, “The Birth of a Nation,” with its vividly racist underpinnings, was screened in Woodrow Wilson’s White House for an appreciative audience) and that of the contemporaneous Black director Oscar Micheaux...the author’s unflagging energy also serves as an effective reproach to any who still don’t feel the frustration of how difficult it has been for so long for Black Americans to see themselves on screen and feel seen in the great American movie industry…At times “Colorization” has the feel of an almanac, or maybe it’s an encyclopedia, or a time capsule timed right up to the minute. The archivist doesn’t want to miss a detail or a moment. This is a memoir that demands update and expansion in the years to come.” --Lisa Schwarzbaum; NY Times Book Review"Haygood...has become a master craftsman, one whose joinery is seamless...This is sweeping history, but in Haygood’s hands it feels crisp, urgent and pared down. He doesn’t try to be encyclopedic. He takes a story he needs, tells it well, and ties it to the next one. He carries
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- Envío: Desde EE. UU.
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